Spring 2019 News

Two issues of Taproot magazine, opened to the articles I wrote.

Hi all! Here are a few fun things in my world happening now and coming up soon:

The info for my spring and summer workshops is up! I have new classes at Textiles West (in Colorado Springs) in May, and at the Intermountain Weavers Conference (in Durango, CO) in July. Plus, screen printing with natural dyes at Flag Wool Festival, embroidery and an introduction to natural dyes at Coconino Center for the Arts, and a return to both John C. Campbell Folk School and North House Folk School later in the summer! Check out all the details over here.

Also, pictured above, I have an article in the current issue (31 :: REVIVE) of Taproot magazine! It’s a tutorial for sewing and embroidering a cloth bag to hold your clothespins. And because (although it seems inconceivable) I don’t think I ever mentioned it here, if you happen to see a copy of issue 28 :: GRAIN anywhere, my favorite method for mending knits is in there.

I have a clear intention of being more present in this space in 2019, and offering more content here. At least in the short term, it’s looking good …

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Aimee León: Art, Sheep Shearing, and Connections

aimee león at arcosanti

 

A few weeks ago, I got invited at the last minute to go with a couple of friends to a fiber “meet and greet” event, held at Arcosanti (about an hour and a half south of Flagstaff).  I wasn’t sure what to expect, but I am so glad I went.  Not only was it fun to hang out with other fiber crafters and get a glimpse of the architecture on a rainy, blustery day in the desert, but the speaker was fantastic.

Aimee León, who is working towards her MFA at ASU in Phoenix, had agreed to come up and speak to us about her felt artwork – for free.  Her talk epitomized one thing I just love about the maker movement and modern crafters; people who are not just looking to make something, but thinking deeply about the connections between materials, handcrafts, and society.

Aimee shears sheep (did you know they can weigh more than 200 lbs each?) and uses discarded wool in her artwork, which reflects her ideas about society and gender norms.  She talked about how much wool is wasted because small farmers don’t have the resources to ship whole container loads to China (!) for processing, and about her goal to bring more of that local wool to fiber artists.  And about the historical connections of wool and fiber with labor, women’s role in society, commodities, and how we think about the clothes we wear today.  One great thing about a small venue is that I had a chance to talk with Aimee quite a bit, before and after her presentation.  There are so many ideas to pursue in these topics that I could have talked much longer . . .

I love thinking about how what I make is connected to the materials I use and where they come from, the historical use and place in society of the materials and the maker, and all the choice that gives me in the modern world.  It just reinforces the fact that the choice to be a maker in modern times is a powerful one for us as individuals, with implications for our broader society as well.

 

arcosanti desert in rain

A desert road near Arcosanti on that foggy wet day

Do check out Aimee’s website, there are lots of pictures of her work and links to other interesting projects she’s working on.  If you live around here and would like to be on the mailing list for this event next year, let me know and I’ll pass your info on to the lovely woman who organizes it, Kimberly Hatch (thanks Kimberly!).

What do you think about art and craft and its potential to change us?  I’d love to know!