DIY Fabric Shower Curtain

 

fabric-shower-curtain-2

 

Hello everybody, it’s been a little while! I’m a firm believer in blogging whenever you can and feel inspired, not on a pre-ordered schedule, and I also think that most blogging apologies are a waste of time and just make you feel bad. Still, it’s been much longer than I meant it to be, and I’d like to echo Molly’s sentiments on Orangette: if I ever decide to leave this space for good, I’ll tell you so. It seems only fair. The way she puts it at the end of that post is so good.

The first reason for my losing track of online things was one of the better ones: for the second time ever, we hosted our annual family and friends craft retreat at my house last month. The first time we hosted it, two years ago, was when I had an inspiration—the infinite to-do list—that started a big difference in my thinking.

I have to say, I was pretty proud of myself this time. I felt calm and relaxed in the lead-up, and I even slept well before and during at least the first part of the week—proof that I’ve made progress as a human lately, and let go of some anxiety, even the good kind that’s more like excitement. (If you need this too, may I highly recommend the book The Three Marriages by David Whyte, which is full of deep insights about things in general, and came into my life at exactly the right time. You can also listen to a good interview with him from On Being.)

It was one of those times when being calmer and going slower actually ended up meaning that I got more done. We cleaned off the back porch, for instance, which probably hadn’t been done in the two intervening years …

And I made a new shower curtain! Well, “made” might be exaggerating somewhat. I took a length of wide fabric, hemmed it, installed some grommets, and there we go.

 

fabric-shower-curtain-1

 

I’d like to apologize to all of our previous guests for the old shower curtain, a cheap vinyl thing with one ripped eyelet, which someone bought right as we were moving into our house a decade or so ago, and had been there in various states of nastiness ever since. Incidentally, I also figured out that if I actually took the vinyl thing down, soaked it in the tub with vinegar and dish soap, and took a scrub brush to it, it came out clean—enough better that I decided to save it in case I need a waterproof something.

Back to the new curtain though: I’ve been slowly moving more and more away from synthetic materials and towards natural ones for all kinds of reasons. I got another push that way when I found out that polyester and nylon clothes shed tiny synthetic fibers in the wash which eventually find their way into the oceans, enter the food chain when they’re eaten by small critters, and never break down. I first heard about this on Science Friday a while back (but cannot now find the specific program). It came up again recently on Root Simple. This was one of those last-straw moments. I’m convinced, I’m done with that, and I’ve been trying harder not to buy any synthetic fabrics.

So I wanted a natural fiber shower curtain, and as I was looking for one and researching options, it occurred to me that I had in my stash some wide cotton fabric which was basically what I was looking for—lightweight but tightly woven. And with stripes!

I measured the old curtain to figure out what length would work best (a little shorter than standard turns out to be good for my tub) and if one width of the fabric would be enough (it was, but you could always add a seam if not).

I made a deep hem on the bottom, and a narrower one at the top. The hardest part was hammering in the grommets. Typically for me, I liked the “wrong” side of the fabric better since it’s a little more textured and subtle, so I put that on the outside.

 

fabric-shower-curtain-3

 

I had a few questions, but figured it was worth trying to see what would happen. Would plain cotton keep the water inside my shower? Yes it did! Would a deep hem be enough to weigh down the bottom? It was! To be on the safe side as far as mildew, I’ve been wringing the curtain out after I shower, and then spreading it out as much as possible to dry. So far, it’s working really well, and it’s so much nicer to look at than the old one, it’s fairly ridiculous. I also like the idea that I can take this one down, put it in through the washer, and hang it to dry in the sun once a month or so, which should actually be easier than cleaning the vinyl one.

If you wanted a sheer curtain, or a liner for a more decorative fabric on the outside, I suspect that silk organza would be amazing (although I haven’t tried it, not having that much on hand). Something so thin but crisp and tightly woven should dry almost instantly, and look beautiful. Oh printed silk …

Anyway, I hope this give you all some ideas!

It feels good to be writing here, and I intend to do it again soon.

 

fabric-shower-curtain-4

 

Advertisements

Hand-Stitched Badges for Me-Made-May

A beginning embroidery primer, with free patterns.

 

For the last few years, May has found us around Washington DC. We usually do two art shows there, and in between stay with some dear friends and ride the Metro to visit the sites of our nation’s capitol. The whole time we’re surrounded by so many people (especially from my middle-size-town perspective). Since it’s Me-Made-May, I spend even more time thinking about what those people are wearing than I normally would. It’s easy to get a little bummed out when I look around and consider that, of the hundreds of strangers I can see at any given moment on the subway platform or at a monument, perhaps none of them are wearing anything handmade. But it also got me thinking that maybe they just haven’t considered it, that if they knew there was a whole movement going on, that folks around the country and the world were encouraging each other and posting about their handmade wardrobes at that very moment, maybe it would encourage a few of them to at least think about it.

So I wanted to bring something that said I was participating in Me-Made-May, and/or that I had made part of my outfit, off the internet and onto my physical person where all those strangers could see it. I started to talking to Zoe about it, and she liked the idea too. I owe her big thanks for her support, bouncing ideas around, and of course for putting on this challenge for us again this year! Since MMM is all about stitching, and I’ve been doing a lot of hand-sewing and embroidery lately, here’s what I ended up with:

 

embroidered mmm badge

 

You can make them too! I designed these little badges with embroidery beginners in mind, and I’ll walk you through some parts that might be confusing, so even if hand-sewing isn’t usually your thing, you can handle it. If you’re already further along in your embroidery journey, feel free to skip down and glance through the photos, then print the pattern and get started.  Click the link below to get the pattern:

MMM-badges-pattern

 

materials & tools

You’ll need some felt, and some embroidery floss, thread, or fine yarn.

Wool felt is an ideal material to start stitching on, since it’s forgiving, doesn’t ravel, is thick enough to not need backing, and you can hide ends and extra stitches in the thickness.

The Me-Made-May badge is stitched here in variagated cotton floss, and the “I MADE this!” one in wool thread.  There’s more about the specific threads I used at the end of this post.

You’ll also need a few basic sewing tools: a sharp needle with a long eye, and a small sharp scissors. I always wear a thimble like this one when I’m hand stitching.

Finally, you’ll need a scrap of tissue paper and a fine-point pen to transfer your design to the felt.

 

thread types

Let’s talk for a minute about the differences between cotton and wool, and floss and thread, for stitching. Wool threads designed for embroidery are often labeled “crewel” (a type of embroidery) and are usually made up of two single strands (called plies) twisted together. This plying is integral to the structure of the thread, and it’s not meant to be separated.

 

embroidered mmm badge 9

 

Cotton floss often comes in a loosely twisted bundle of threads, which can be separated to make various thicknesses. This is called “strandable” floss. If you look closely (maybe with a magnifier), each strand of this kind of floss actually has its own two-ply structure. Some cotton threads have a non-strandable structure as well.

 

embroidered mmm badge 8

 

Just like in sewing or knitting, the different properties of wool and cotton fibers make a difference to how they work in embroidery. Wool’s crimpy, elastic nature means that it plumps up, filling gaps and making it easier to embroider a smooth satin stitch or a plush knot. Cotton is denser, smoother, and less elastic, meaning you may need more thread to cover the same area, and the stitching will have a tighter, flatter look.

 

getting started

Put a little piece of tissue paper over the printed pattern you want to make. You can use scraps of tissue, and iron them flat if necessary. Using a fine-point pen that won’t bleed, trace the pattern carefully, including the circle around the edge. Make a single line for thinner shapes and letters, and draw around the outline of thicker shapes. Pin the tissue to your felt, with the pins outside the circle. You’ll stitch right through the tissue and the felt to make the design.

 

embroidered mmm badge 1

 

I tried several methods of transferring the patterns to my felt, and this one worked the best. An iron-on transfer pen (not a pencil) also works, but it makes thick permanent marks that are a little fiddly to apply, and must be covered with stitching.

To thread the needle, I use the techniques I shared in this Seamwork article about hand-stitching. I found that it helps to fold over the end of the wool thread, and to wet the end of the cotton floss.

To begin, take a long stitch on the back through the thickness of the felt, coming up near where you want to start. Let a little bit of thread remain on the back surface. You can trim it off later to neaten things up. If possible, take your first stitch as a backstitch to anchor the thread.

 

embroidered mmm badge 5

 

General embroidery tips:

  • Stitch in good light! It’s unbelievable what a difference this makes.
    Test out your stitches and thread on a scrap before you start, especially if you are experimenting with new stitches and/or aren’t sure what thickness of thread to use to get the look you want.
  • How even your stitches look depends mainly on how even the tension is between one stitch and the next. Start off slow and even.
  • When moving from one letter or shape to the next one, take a stitch through the thickness of the felt to keep it hidden. To keep long stitches from pulling the next part of the embroidery out of shape, push the needle straight through to the back of the work, then take a long stitch into the felt, coming out on the back near where you want to start again. Then bring the needle up to the front in your next spot.

 

the stitches

Most of the text in these patterns is made with backstitch. I explain this stitch in that Seamwork article, and in even more detail in this post.

 

embroidered mmm badge 2

 

Backstitch tips:

  • Put your needle in right at the end of the last stitch for a solid line.
  • Look ahead at the section you are stitching, and decide whether to divide it into two stitches or three, etc.
  • Think about the path of the thread when you come to corners and curves. Remember that where the needle goes in is the beginning of the current stitch, and where it comes out is the end of the next stitch.

 

embroidered mmm badge 3

 

For the scallops around the edge of the Me-Made-May badge, I used a simple straight stitch. Follow the individual lines on the pattern for a looser look that shows off the separate threads, or fill in the whole scallop shape, depending on the thread you’re using and the look you’re going for.

 

embroidered mmm badge 6

 

I filled in the thicker lines of text with satin stitch, which is basically a row of straight stitches very close together, so that they look like a solid surface. It’s easier to keep these stitches even and plush-looking if you work them over a base of another stitch. For these patterns I outlined the satin stitch sections in backstitch first.

 

Straight & satin stitch tips:

  • Backstitch around the outline of all the text, and finish all other parts of the design that use the pattern as a guide, then remove the tissue pattern before you fill in the satin stitch. You’ll be able to see exactly where the stitches are more clearly, and pulling off the tissue will be easier.
  • Cut carefully around the outer circle of the design. Leave the outside of the tissue pinned to the felt for reference and later cutting (you may actually want a few more pins at this point to hold it smoothly). Tear out the part under the badge itself. Pointed tweezers are an ideal tool for pulling out tiny/stubborn pieces of tissue.

 

embroidered mmm badge 7

 

  •  I find it easier to keep an even tension if I put the needle all the way through to the back at the end of each stitch, and bring it up again close to the stitch I just made on the same side of the shape I’m stitching. This method is slower to work than the more common technique of taking the needle under on one side of the shape and up on the other side in one stitch. But, it uses less thread and is easier to control, especially when you’re starting out.
    • Stitch as close to the foundation backstitches as possible for a full look. You can even push the foundation stitches to the side with the needle to make more space and keep the line of stitches even.

     

    embroidered mmm badge 10

     

    • If your satin stitch comes out a little lumpy, it can help to put the eye of your needle into a row of stitching and move it gently back and forth.

     

    embroidered mmm badge 11

     

    • When making satin stitch around curves (like on the D in “MADE”) it helps to make the stitches inside the curve as close together as possible, and fan them out a bit on the outside of the curve, a technique that’s illustrated in detail on Needle ‘n Thread here.

     

    The round knots around the outside of the “I MADE this!” badge are colonial knots. They’re a variation on a French knot where you loop the thread in a figure eight around the needle before pushing it back into the fabric. I like these because they hold a larger, more textural shape, and can’t come undone as you’re making them. They look especially plump in wool threads.  There are more pictures and explanation about colonial knots on Sarah’s Hand Embroidery Tutorials.

     

    embroidered mmm badge 13

     

    finishing

    When you come to the end of a section of thread, bury it through the felt for a short distance and come out on the back. You can trim the ends close, since some thread remains in the thickness to keep your stitches from pulling out.

     

    embroidered mmm badge 4

     

    Once all your stitching is complete, cut out the felt circle, once more going carefully around the shape you traced.

     

    embroidered mmm badge 12

     

    Sew a pin, a clip, or a magnet to the back, and it’s ready to go meet the world.

     

    embroidered mmm badge back

     

    supplies

    I used handmade felt, because I have lots of scraps of it laying around. Use what you can find near you, but if you possibly can, use real wool felt rather than the synthetic stuff. Wool is just so much lovelier to work with, and it will hold up to wear much better. Mine was 2-3mm, or around 1/8” thick.  Weir crafts sells a variety of felt online, including some that’s handmade and some that’s made in USA.

    I discovered two things while looking for threads for this project: there are probably as many small companies and indie dyers making embroidery threads as there are making knitting yarn, and I personally am just not interested in using floss in flat colors. My mom has been into embroidery for as long as I can remember, and a quick dig through just part of her stash resulted in many more beautiful options than I could use.

    For the Me-Made-May badge, I chose two colors of variegated cotton “painter’s threads” from Tentakulum; 121 “Cezanne” and 125 “Matisse.” They’re made in Germany, and available through embroidery suppliers in the US, including Artistic Artifacts. DMC also makes a couple of ranges of variegated floss, which are a lot more common, at least where I live.

    For the “I MADE this!” design, I used some amazing fine crewel wool thread, dyed with natural pigments by Renaissance Dyeing, out of France; color numbers 0309, 1622, 1708, and 2000. Single colors are available in the US through Hedgehog Handworks.  Photos do not do these colors justice; they are good enough to eat!  Any crewel wool or very fine yarn that you like would be a good substitute.

     

    embroidered mmm badge 14

     

    In case you’re wondering, while I had plenty of materials to choose from right in front of me, I did do a little searching to see what I could come up with for organic/traceable threads. Renaissance Dyeing looks good on the sustainability front; they use all natural dyes and local wool, it’s just that they’re far away from me. Organic Cotton Plus also sells a line of organic cotton embroidery floss which is grown & spun in Peru and dyed in the USA.

    Personally, I think I’ll be using a lot of the yarn scraps I have lying around, especially for larger designs.  And I think it would be well worth it to buy (or spin!) some natural colored thread, and drop a tiny skein into every dye pot I try.  It takes so little, why not?

     

    resources

    All you have to do is start searching on Instagram, Etsy, or wherever you get your internet eye candy to find amazing examples of beautiful modern embroidery.  I particularly like Katherine Shaughessy’s crewel work, she has two books with a fun modern aesthetic, and sells supplies and patterns (with some free ones) on her site Wool & Hoop. Yumiko Higuchi also does some of my favorite embroidery. She likes to to mix wool & cotton threads, and her book just published in English (Simply Stitched) does a great job of taking advantage of the properties of both, as well as being full of inspiring designs.

    If you make one of these, I’d absolutely love to see it!  Share it using #mmmay16, #handstitched, or email me a photo. And of course, I’m here to answer questions if I can.

    Happy stitching!

     

    Solved: Leggings

     

    The best thing about making a pledge or taking a challenge may be that it pushes us to find out what’s possible if we stay within certain boundaries. For example: this winter, I found myself in need of some new warm leggings, and a couple of challenges I had in one form or another meant I needed to be creative about how I got them. The results were so good—almost certainly better than whatever I would have come up with without the challenge.

     

    upcycled leggings 1

     

    One of my wardrobe goals is to have enough of the right clothes for winter so that I’m cozy (in other words not always cold and therefore slightly grouchy). For the coldest months, it turns out that means wearing an extra warm layer under pants or a long skirt pretty much every day. I’ve already figured out that wool and silk are much warmer than cotton knits (plus I love everything else about wool). I’m still following my fabric-buying pledge from #1year1outfit (until a full year has gone by this summer), which meant I couldn’t hop online and order lovely wool fabrics from New Zealand, even if they are organic. There are a few totally beautiful made-in-USA wool knits out there, but let’s be honest, I also have a budget. I can’t afford to splurge on every project, and I don’t want to for something like this where I frankly don’t care too much what it looks like, as long as it feels good and works well.

    I was thinking about going to the thrift store for something else, and somehow I got the idea that maybe if I found a big enough fine-gauge men’s sweater, I could make leggings out of that. Such, such a good idea!

    My layout works like this: I cut off the waistband of the sweater, including a little bit above it for seam allowance, and save it for the waistband of the leggings. I flip the sweater inside out and trim off the seams as closely as I can to separate the front from the back. (After making so many hats from reclaimed cashmere, I am an expert at deconstructing sweaters.) Then I remove the sleeves, in this case leaving the sleeve seams intact as much as possible. The front and back often have fairly different shapes (and a lot of times different grainlines) so I separate them completely at the shoulders after the sleeves are off, and cut from them separately. I cut the top potion of the leggings pattern from the front and back of the sweater, however they best fit. The lower leg comes from the sleeves, utilizing the sleeve cuff as the ankle.

     

    sweater to leggings drawing

     

    I used the same Espresso Leggings pattern as my first custom fit pair—there’s no going back from custom fit! The lower arm of the sweater was actually a little smaller than the original cuff on my pattern, but it stretched to fit over my ankle just fine. I laid the folded leg pattern over the sleeve, and started to cut where the leg became smaller than the sleeve.

    For sewing, I joined the lower leg to the upper leg flat, pressed the seam open, and sewed down the seam allowances for a non-bulky join. Just don’t forget to add a seam allowance to the upper and lower leg when you’re cutting.

    As I sewed the inside leg seams, I just merged my seamline into the original seam of the sleeve when I got to that point.

     

    upcycled leggings 2

     

    Working on these, I thought a lot about stretch and recovery in knits. All the sweaters I used had about the same horizontal stretch as the fabric I bought for the very first pair; with 4” stretching to about 7”, or 1.75%, so I could use the same size pattern. The sweaters had almost no vertical stretch though, which made the first pair of sweater-cut leggings feel a bit shorter on top than I wanted, so I slashed the pattern and added ¼” vertically above and below the crotch point.

    I ended up cutting the ribbing for waistband much shorter than the top of the leggings, since it could stretch much further. The ribbing alone wasn’t quite enough to hold the leggings up, although I loved how it looked. For the charcoal pair, I added wide elastic on top (it may possibly have come off a pair of Bryan’s boxers with worn fabric). This holds up the leggings no problem. The elastic has the recovery needed, but it actually won’t stretch as far as the ribbing, so I had to cut it a little longer. This can make the waist look a little wrinkly by itself, but it all stretches out smooth on the body.

    For the second blue/periwinkle pair, I wanted to see if I could use slightly less wide/firm elastic, so I tried some of the bra-band kind from my stash, which is soft on one side, inside the ribbing. That works too, leggings stay up with no problem.

     

    upcycled leggings 3

     

    The third green sweater had a narrow hem instead of ribbing at the waist. I decided to use that as a casing for narrow elastic, cutting two sections from the waistband and catching the elastic in the seams. After wearing this pair a couple of times, the jury is still out on whether it could use slightly wider elastic/more pull inside the casing … but if so it would be easy enough to unpick the little vertical seams at the top and sew it in.

     

    upcycled leggings 4

     

    Overall, I’m super happy with how these turned out! I answered a few leftover questions from the first-ever pair; like would elastic be enough to hold them at the low-waist level I like (a resounding yes!) and would they work in 100% wool (a big yes again!). Despite the fact that the pattern recommends fabrics with Lycra or Spandex, I like the all-wool version much better (the green and grey pairs are Merino, and the periwinkle is cashmere). These float like a warm soft cloud just touching my skin. They feel amazing and don’t bind in any way. If I were dancing on stage in them, I might care that the knees look a little baggy by the end of the day, but since these are under-layers only, I don’t at all.

    So I’m officially set on leggings for a few winters at least! We’ll see how these hold up. They should be fairly easy to patch if needed, since I have the pattern and scraps. I consider the used sweaters a sustainable material source, especially since I can utilize ones that have small stains or holes in them (the little stitched leaves on the green pair are covering former holes in the original sweater). Making leggings this way keeps me within my pledge and my budget. Plus they’re awesome.

    If you want to try this, go for it! For my fairly-small-but-very-pair-shaped figure, I need to start with a men’s extra-large sweater to cut the pieces as illustrated. Of course, you can patchwork them a little more if needed. The green sweater was in really good shape (except for the holes), so I got it even though it was a little smaller. I ended up piecing in wedges at the inner thigh to make up for not having quite enough width across the sweater body. It worked fine, but it was a little mind-bending to make sure all the pieces had the right shape and seam allowance, so I don’t recommend it for your first try.

    Happy stitching!

     

    upcycled leggings 5

     

    Every Day

     

    Here’s what I made with my special natural-dye printed fabric as part of my one Year, one Outfit project: an every day skirt.  In fact I designed the print with this skirt in mind.  Keep reading for some skirt-construction details, as well as thoughts about what I figured out and where I’m going with #1year1outfit after this.

     

    1year1outfit skirt 2

     

    For the pattern, I copied a skirt my aunt gave me ages ago.  It’s one of those items that I probably would never have picked on my own, but once it was in my wardrobe I wore it non-stop.  I can’t describe it better than to say that it’s the perfect shape for biking in: wide enough for easy movement but not so wide that it flips up in the breeze.

     

    me with early plane 2The original skirt at the Udvar-Hazy Center during Me-Made-May ’12 (I made the pink top).

     

    This skirt seemed appropriate for practically every activity.  The large-scale, colorful print also seemed to go with everything I owned, and was part of my inspiration while thinking about how to print my fabric.  Maybe needless to say, I’ve worn it so much it’s literally falling apart, and had to be retired after finishing the pattern.

     

    mmm'14 day 9Pretty much the only time I document what I’m wearing is during MMM.  Here are the essential elements of the skirt from 2014, when I decided to draw my outfits.  Also pictured: the beginning of this sweater.

     

    Although I was pretty sure the pattern would make a wearable skirt on the first try, I knew there would inevitably be some little things I’d want to change.  And I would have to be certifiably nuts to cut into my carefully printed fabric without trying out my new pattern first.  So I made one from stash fabric, green floral linen/cotton blend I bought ages ago and turned out to be great for this.

     

    1year1outfit skirt 7

     

    And I did in fact have a short laundry list of things to tweak for the second version, including the length.

    Judging by the amount I wore this test version before the weather got cold, I’ll wear the snot out of both these. I just have to convince myself not to treat the natural-printed one as too precious. I’m also super curious about how the dye will hold up in real life, so hopefully that will help!

     

    1year1outfit skirt 8This is my favorite thing to do with quilting cottons that I apparently couldn’t resist buying in the past.  I quite like these two fabrics together, especially since you can occasionally see the facing when worn.  This project made me consider making a lot more faced hems.

     

    Once the pattern was tested, I was confident enough to cut out my printed fabric, but then hit a few delays, mainly in figuring out what other materials to use.  My original plan was to source the fabric as sustainably and “locally” as possible per my pledge, but to worry less about where the notions came from.  I’m a firm believer in one step at a time, in breaking things down so that I move towards my goals without feeling totally overwhelmed by the hugeness of what I’d like to accomplish.  Still, after seeing the beautifully creative ways that Nicki crafted her totally local clothes (she made her own clay to make buttons!) I was inspired to dig a little deeper.

    There seems to be just one organic sewing thread on the market, Scanfil, which is made in Holland and available lots of places online.  I’d seen it around the web but hadn’t tried it.  After all, Holland is not exactly local to me, and I assumed it would be more expensive.  In fact, it turns out that it costs barely more per yard than the Mettler thread I normally get.  And that thread is made in Germany … so I got some of the organic stuff to try.  It’s silky smooth and soft.  I think it breaks a little more easily, but I had no problems running it through either sewing machine.  For topstitching I used it doubled (two spools) with a 3mm length, and I really like the results, kind of subtle but shiny.  If you try this, I highly recommend tightening the bobbin thread the way you would for buttonholes.

     

    1year1outfit skirt 4

     

    I usually just use a thin, firmly-woven fabric for interfacing, and I’ve been looking for a new source since I ran out of the perfect interfacing fabric (origin: total mystery) found in my mom’s stash.  I got a swatch of every fabric I thought might work from Organic Cotton Plus, whether made-in-USA or not, but ended up rejecting them all and using another bit from my stash.

    While I was at it, I ordered a zipper made with organic cotton tape.  The only difference I can see is that unusually, the zipper matches my fabric perfectly.

     

    1year1outfit skirt 6Guts.  I think I’m finally getting the hang of making the inside fly guard thingy like it’s supposed to be.  This lining fabric is a super soft linen, also from stash.  The cute little pocket applique is due to an unfortunate moment while rotary pinking …

     

    I should say that the skirt fabric itself is quite nice (I linked to the fabric I bought in the printing post, but as of today it doesn’t appear on the Organic Cotton Plus site, they must be out).  It has a twill weave.  It’s on the thinner end of what I would consider for this project, and very soft and drapey for a cotton.  It was also crooked when I got it, but easy to pull straight (check out how I do that in this article I wrote for Seamwork), even after printing (phew!).

    I had this skirt shape in mind I was printing, and knowing that fabric I print tends to be sparser in design than commercial fabrics, I included a section of dense motifs at the bottom of the yardage, and took full advantage of that to cut all the small pieces for the waistband, etc.

     

    1year1outfit skirt 5

     

    So there you go, my finished project!  Since I joined the #1year1outfit challenge late, I knew I wouldn’t make a whole outfit by the end of the year, but I really wanted to see how I could integrate making more conscious choices about the new fabrics I buy with what I already do.  And in that sense I succeeded!  I’m wearing my skirt below with things I previously made from secondhand garments (this shirt and this camisole if you’re curious), a scarf woven by my grandma, and mended socks.

     

    1year1outfit skirt 1

     

    Moving forward, I’ve decided to keep going with my no-new-fabric-unless-sustainable-and-made-in-USA pledge, at least until July, which will make it a full year.  Even though at some point I’d like to add in some of the wonderful artisan fabrics from around the world I found during my fabric research, I do think that being on this materials “diet” is really helpful in encouraging me to be thoughtful in my choices, and creative with what I do with them.  I’ve loved being part of one Year, one Outfit, and it’s really fit in well with a lot of the other things I’ve been thinking about, and helped me move forward in directions I’d like to go in.

    I have enough of this delicious wool yarn from Mountain Meadow to knit a sweater, and that is totally next on my list of sustainable/local-ish/slow fashion garments to make.  It will probably be next fall before it’s done, but that’s fine with me.  In the meantime I’ll continue to work from stash, and search for more local fabric options, and I will definitely keep you updated!

     

    1year1outfit skirt 3

     

    Sustainable, American-Made Garment Fabric — I Found Some …

    A big announcement, and a list of sources:

    Hello dear fellow makers! I’m actually not sure where to start with this … I’m either feeling deadly calm or like I might jump out of my skin. So here goes—sometimes, you just ask the right question to the right person, and then there you are. Remember when I was fed up with the NYC garment district, joined up with One Year, One Outfit, and vowed to contact Imperial Stock Ranch* because they had made a fashion collection using fabrics from wool grown on their ranch and entirely made in USA? Well. I did. Jeanne Carver, who owns the ranch along with her husband, wrote me back. She had some fabric left from the collection (!!). She offered to sell it to me, so I could offer it to you (!!!). Big bolts of two of these fabrics, basically the wool of my dreams, are in a huge box in my studio, and on offer to the whole online sewing community via my Etsy shop, starting today (!!!!). All the details about the fabrics are there.

    *The story of the ranch is really amazing, and way too much to tell here.  Check out this article if you’re interested, which also has some nice pictures of Jeanne and her sheep.

     

    striped imperial fabric 1My idea was to photograph these fabrics in a way that was fresh and felt personal, giving you an idea of what is would be like to wear them, and also conveying how lovely they are and how fabric like this might be all we need.  But yes, I am wearing clothes underneath …

     

    I can’t believe it! Can we jump up and down now?! I’m trying to be calm for another minute or so, because this may in fact not be the most exciting part. The MOST exciting part is that, according to Jeanne, even though only about 7% of the American textile industry that once was remains today, we can still make any kind of fabric we want here in the USA. So, the most important thing you can do to make more fabrics like this a reality (other than, obviously, tell everyone you know, and buy some if you can!) is to tell us what you most want. If we make another run of fabric (a lot of just a few types) with Imperial wool, what would you buy? What would you want to make—a coat? A dress? A suit?! What are the qualities that make a wool fabric special to you?

     

    black imperial fabric 1The black fabric is hard to show here but truly lovely.  Check out the listing for more detail photos.

    Since Karen asked, and since I feel like we’re really on the cusp of something here—a growing interest in how our fabrics are made and where they come from which I very much want to be a part of—I’m also going to list the other suppliers of traceable, sustainable fabrics I’ve found so far below. I did a lot of this research while looking for fabrics for my One Year, One Outfit project, and I also love how much discussion is going on around this as a result of Slow Fashion October, so here you go:

     

    Fabrics Made in USA

    Organic Cotton Plus is probably the most comprehensive source I have so far. They have a big “Made in USA” section of organic cotton fabrics grown and processed here. They carry lots of undyed and colorgrown fabrics, both knit and woven.

    Alabama Chanin is just all kids of cool, sustainable, and handmade, and they sell American made organic cotton jersey in 50 colors! I haven’t tried it myself yet, but since it’s the same fabric used in their collections it should be awesome.

    Vreseis is the shop of Sally Fox, the pioneer of colorgrown cotton in the US. Everything she does is done with so much thoughtfulness. She’s now raising sheep and wheat to make a true biodynamic farm. Her shop offers a few fabrics, as well as yarns and fiber.

    O! Jolly! is a newer, smaller, knit-fabric-making operation. Her commitment to sustainability comes through a little more in this interview on Ginger Makes (where I found her) than on her website, but she does offer colorgrown cottons, and lists origins and knitting locations for some of the fabrics, including some new wool knits which list the breed of sheep and that they’re American raised—yahoo!

    Honey Be Good also specializes in organic fabrics and has a “Made in USA” section, which as of writing has mostly wooden buttons, and some printed jersey.

     

    Fabrics Made Elsewhere

    Simplifi Fabric (which I found through Sew Pomona’s list) has a fairly big section of fabrics made in Canada (and a few in the USA).

    Hell Gate Fabrics is a new venture from Sonja of Ginger Makes, bringing us fabrics made mostly in Japan, where labor and environmental practices are much better than in many other countries producing textiles.  She plans to expand her selection of organic fabrics as her suppliers do.

    The Fabric Store is where I found the organic merino jersey (from New Zealand) I used to make these tops.  It’s holding up well so far!  This store has locations in Australia, NZ, and Los Angeles.  Although they don’t have a full-service website, they do have a very friendly and comprehensive swatch service if you tell them what you’re looking for.

    Offset Warehouse carries fabrics from all over, and they are quite transparent about where each fabric comes from and how it was made, if it is certified organic or sustainable, etc. They carry some truly beautiful and low-carbon handwoven/handprinted fabrics from around the world.

    Many of the participants in One Year, One Outfit have been doing their own research and listing resources near them. You can find them listed here.

    If you’re a nerd like me you can also browse the GOTS listings to find businesses making all kinds of things certified under Global Organic Textile Standards wherever you live. I haven’t made any amazing discoveries by doing this yet, but you never know …

     

    black imperial fabric 2Bryan kept coming up with slogans like “fall in love with fabric again” as we were shooting these photos.  I like this one because it feels true, and it reminds me that doing something you feel great about can also be fun.

     

    Really, the list of sustainable fabric sources is not as sparse as I thought it would be going in. One thing is clear to me: we make a difference when we choose to buy our materials with some thought and care as to how they’re made! The more demand there is for sustainable fabric, the more of it there can be. So, who’s with me? What’s your dream fabric?! Maybe we can make it happen!

     

    Back into My (Slow) Groove

     

    sewing kit with thimble

     

    Hello and happy October 1 everyone!  We’re home, and Bryan’s big exhibit is open.  I’m getting back into my own routines and creative practices.  I have a backlog of stuff to share with you, but I wanted to start with two very October-first-related items:

    1.  The new issue of Seamwork magazine comes out today (the menswear issue—cool huh?) and I have a tutorial in it about how to sew your own leather thimble!  It’s coincidentally perfect for:
    2. #slowfashionoctober which also starts today!  I think this is a great idea and I’m excited to see what everyone comes up with.  I’ll definitely be writing more about “slow” and how I feel about it this month.  And I’ve also decided to use it to tackle maybe the slowest-ever project—a sweater that my mom knit for my grandmother, which I’ve tried to make over so I can wear it, but it needs more help.  I have a plan, so we’ll see how that goes.

    Stay tuned, and hope you’re looking forward to October plans as much as I am!

     

    tea dyed fisherman in progress

     

    Treadle Magic

     

    I’ve been wanting to write about sewing on my mom’s antique treadle machine when I was a kid, and now on the one from Bryan’s family that I’ve been restoring, for what feels like forever.  Sewing on these machines is something like magic, and I kept dreaming about sharing that with more modern sewists.  As of today, it’s happened!  Any minute now, the August issue of Seamwork magazine should be up, and with it, this treadle article of mine, which I’m super excited about.

    So excited, in fact, that I also made my first-ever YouTube video as a companion, to show you how the bobbin winder works in motion (it’s a thing of beauty):

     

     

    Are you excited yet? Do you have a treadle sitting in your garage? Let’s get it out! I’d love to help answer any questions that might get some of these beauties back into service, so ask away and I’ll do my best.

    Also, stay tuned, I have a couple more treadle extras in the works for the coming weeks.

    Have a great weekend!